Catalogue 126 is here!

 

 

M.r James Gillray.
From a miniature painted by himself & Engraved by Cha.s Turner.
London, Published april 19 1819 by G.Humphrey, 27 S.t James's Street.
Mezzotint, plate: 300 x 395mm (12 x 15½"), with very large margins, on 19th century watermarked paper.
Oval head and shoulders portrait of caricaturist and printmaker James Gillray (1757-1815). State with title in thick and thin letters, and all inscriptions engraved within border of horizontal and vertical lines surrounding image.
Whitman 1907: 224.II.
[Ref: 60043]   £380.00   

 

We are pleased to present our special listingCatalogue 126!

It contains over 170 items focusing on 18th century decorative stipples and mezzotints.
Lots coming from the collection of the Oettingen-Wallerstein family.

It features the following subjects:
Portraits
Satire
Natural History
Military and Naval
Mythological Scenes
Classical Portraits & Scenes
Allegorical Scenes
Biblical and Religious Scenes
Literary Portraits & Scenes

View the whole catalogue here!

Happy browsing.
A few highlights:
 
Venus.
Elias Martin pinx.t J. Fried.k Martin Aculp.t
Publish'd as the Act directs 1778. N.o 8 Leicester Street Leicester Square.
Very fine stipple printed in colours, Collector's mark verso; plate 180 x 215mm (7 x 8½"), with large margins. Mint.
Very decorative image showing Venus seated in her chariot on clouds, surrounded by cupids and with two doves at her feet. By Elias Martin, A.R.A. Swedish, born Stockholm in 1739, died Stockholm 1818. He came to London in 1768, becoming a Royal Academy student the next year and was elected A.R.A in 1770.
Ex: Oettingen-Wallerstein collection. Sotheby's London / Milan Nov 1997.
[Ref: 60282]   £680.00   
 

[Henry Dundas, Viscount Melville] The Wounded Lion. ''and now, all the sculking nerd of the forest, some out of Insolence, others in Revenge, some, in fine, upon one Pretence / ''some upon another, fell upon him by Consent. - but nothing went so near the Heart of him in his Distress, as to / ''find himself batter'd by the Heel of an Ass." - Vide Aesop's Fables.
[James Gillray.]
Pub.d July 16th 1805. by H. Humphrey. 27 St James's Street.
Coloured etching. 260 x 380mm (10¼ x 15"), with large margins, watermarked 'J Ruse 1802'. Nicks in edges of margins.
A satire in defence of Melville as First Lord of the Admiralty, depicting him as a lion wounded by grapeshot fired by John Jervis, 1st Earl of St Vincent. As he lies bleeding he is attacked by various animals, including a fox, rats with lawyers' wigs (Jekyll, Erskine, and Adair) and a snake (Grey). The grapeshot has also struck Britannia, who slumps against a tree. Dundas became First Lord in 1804 despite an inquiry regarding financial misconduct from his term as Treasurer of the Admiralty (1782-1800) was still ongoing. Gillray's point is that Britain's interests during time of war were being damaged for political ends.
BM Satires 10421.
[Ref: 60357]   £950.00    


Alexander and Philip His Physician. From the Original Picture Painted by Mr Benjamin West; In the Collection of G.Stibbert Esq.r.
B.West pinxit. Val: Green fecit.
Published Jan.y 1st 1772 by John Boydell Engraver, in Cheapside London.
Scarce mezzotint, 440 x 525mm (17¼ x 20¾"), on 18th century watermarked paper. Nicks and repaired tears on large margins.
Medical interest. Alexander the Great in his tent, nursing his head.
Ex Collection Hon. C. Lennox-Boyd Whitman: 171
[Ref: 60336]   £490.00  

 

Popular posts from this blog

Houghton

Image
The Houghton Revisited exhibition currently taking place at Houghton Hall in Norfolk provides the opportunity to see some of Robert Walpole's collection displayed in its original setting for the first time since Walpole's famous collection was sold to Catherine the Great of Russia in 1779. Like several other famous collections, the paintings in the Houghton collection were engraved and published, in an ambitious project organized by the Georgian print world's 'Commercial Maecenas' John Boydell, with the result that even after the paintings had left for Russia, they continued to exert great influence on British artists and connoisseurs in engraved form. Here we show a selection of engravings from paintings in the Walpole collection: This full-length portrait of Robert Walpole hung in his 'blue damask bed chamber', although like several of the prints in this list it is not part of the Houghton exhibition: Sir Robert Walpole, afterwards Earl of Orford.
Read more

Women of the art world in our stock!

Image
Happy International Women's Day Everyone! We wanted to highlight some of the incredible women in our stock: Maria Maddalena Baldacci   Nicolaus Gualterius Philosopus et Medicus Collegiatus Florentinus Regice Academice Botanica Florentince Socius in Pisana Universitate. Medicince Professor Ordinarius IOANNIS GASTONIS M.D.Etrurice Archiater Maria Mad.Gozzj del. P.Ant.Pazzi fc. Engraving. 364 x 229mm. Gualteri, Nicolas: [1688-1744] Phycisian and Botanist, Professor of Medicine at Pisa. W: 1232-1 [Ref: 2789 ] £95.00   (£114.00 incl.VAT) Maria Maddalena Baldacci (1718–1782) (née Gozzi) was an Italian painter. She was born in Florence. She painted portrait miniatures and crayon, including the portrait of Empress Maria Theresa. A pupil of Giovanna Fratellini and, after her death, of Giovanni Domenico Campiglia. In 1742 she married the paint
Read more

Catalogue 136: For the London and Paris Print Fairs!

Image
  [''Old Man Wearing Velvet Cap'' or ''Old Man with Spectacles''.] Thos Frye, Pictor, Invenit & Sculpsit [c.1760]. Sold at the Golden Head of Red Lamp, near the Corner of Greville Street in Hatton Garden. Mezzotint, 515 x 365mm (20¼ x 14¼), with small margins. A fine impression of this magnificent image. Light foxing at the bottom, not in image. Very faint crease near left margin in the centre. A man wearing a velvet cap facing the right, his left side profile on show. He holds in his right hand a pair of spectacles. From Thomas Frye's (1710-62) set of mezzotint 17 life-size heads which he published in two series between 1760 and 1762 and for which he is chiefly remembered. Russell believes this could be a self-portrait or another artist that dwelled with Frye, 'Query, a portrait of Thomas Frye. On an impression in Mr. J. Holland's handwriting: "Mr Mellish a painter of shi
Read more