Grosvenor Prints

 So you're new to print collecting, where do you start? These books can help: Investing in Maps. Roger Baynton-Williams. Published by Barrie and Rockliff, The Cresset Press, 2 Clement's Inn, Strand, London, W.C.2. 1969. Book: 4to (297 x 214mm). pp. 160. Profusely illustrated with colour and b/w images.Cloth binding with title in gilt stamped along the spine. Complete with dust jacket and library stamp. Dust jacket worn and creased. A comprehensive illustrated narrative to understanding maps, their various styles and developments. An introduction details the methods of map-making and the techniques used. [Ref: 10354 ]   £45.00     Chats on Old Prints. wit...

 Our new catalogue is here! P inchbeck. Isaac Whood pinx.t. J. Faber fecit. [n.d., c.1725.] Mezzotint. 330 x 225mm (13 x 8¾"). Small repaired tear into margin on left. Printer's crease bottom right in margin. Christopher Pinchbeck (1670?-1732), maker of clocks and automata, here shown holding an open pocket watch. He also invented 'pinchbeck', an alloy of copper and zinc that resembled gold, which created a new market for costume jewelry. Among his clients was Louis XIV, for whom he made a music clock. In 1717 he advertised a clock at one thousand guineas (appoximately £140,000 today). From 1721 until his death his address was 'at the sign of ‘The Astronomico-Musical Clock' in Fleet Street. CS 289 i/ii. [Ref: 57864 ]   £950.00   Come see us at the fair at Chelsea Old Town Hall Friday 29th April (2pm-7pm) - Saturday 30th April (11am-5pm). We are stand 78 on the ...

   Cover image: A Tigress. Engraved by John Murphy by Permission of Mr. George Stubbs from the Picture Painted by himself and in his Possession. London, Published July 27, 1798 by J. Murphy, North side Paddington Green. Rare and extremely fine mezzotint. Sheet 490 x 620mm (19¼ x 24¼"). Framed. Thread margins. Unexamined out of frame. A superb example of the finest images produced in the history of mezzotint, depicting a a recumbent tigress, probably the Royal Tiger in Stubbs's possession when he died. The painting had originally been engraved by John Dixon in 1772; however that mezzotint plate had been destroyed, so John Murphy was allowed to engrave a new plate. Lennox-Boyd 133: ii of ii. [Ref: 57221 ]   £12,500.00    Seasons greetings! We have pleasure in sending out our new catalogue, a festive miscellany of over 300 items containing: Portraits including...