Grosvenor Prints is now closed for the holidays!

 

Greetings.
A. Bauerle [pencil signature].
[n.d., c.1900.]
Etching, signed by the artist. 80 x 130mm, 3½ x 5¼". Glued into a mount.
An angel embracing a small boy, at the head of a queue of children, apparently an alternative Christmas card. Amelia Bauerle (or Bowerley), died 1916.
Guichard: "Competant lady etcher with a penchant for mermaids". Ex Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 17780] 

Seasons Greetings!

Grosvenor Prints is now closed for the holiday period. 

We shall reopen at 10am 4th January 2022.

Feel free to browse the website however please note that we won't be answering enquiries. If you are worried an item might sell before you can ask us a question we suggest you order it, as it will be automatically placed on reserve for you and we process our orders manually so you won't be charged.
 
Check out our latest Ten of the Best!

Merry Christmas and a Happy New Year!

In the sentiments of this print let us hope that next year shall be better than the last:


 With All Good Wishes For A Better Year. Jan.y 1909. Time And Tide Waits For No Man.
[Robert Walker Macbeth.]
1909.
Etching printed in brown ink with very large margins. Platemark: 185 x 210mm (7¼ x 8¼").
A New Years greeting card from 1909 by Scottish painter, etcher and watercolourist, Robert Walker Macbeth RA (1848 - 1910). A Grim Reaper wearing a hooded gown, holding a timer in his outstretched right arm and a sythe in his left, wades through water to the left. A winged female figure clings to him as she holds up a banner inscribed, 'Time and Tide Waits For No Man', supported on both sides by three putti.
[Ref: 35540] 

Popular posts from this blog

Houghton

Image
The Houghton Revisited exhibition currently taking place at Houghton Hall in Norfolk provides the opportunity to see some of Robert Walpole's collection displayed in its original setting for the first time since Walpole's famous collection was sold to Catherine the Great of Russia in 1779. Like several other famous collections, the paintings in the Houghton collection were engraved and published, in an ambitious project organized by the Georgian print world's 'Commercial Maecenas' John Boydell, with the result that even after the paintings had left for Russia, they continued to exert great influence on British artists and connoisseurs in engraved form. Here we show a selection of engravings from paintings in the Walpole collection: This full-length portrait of Robert Walpole hung in his 'blue damask bed chamber', although like several of the prints in this list it is not part of the Houghton exhibition: Sir Robert Walpole, afterwards Earl of Orford....
Read more

Women of the art world in our stock!

Image
Happy International Women's Day Everyone! We wanted to highlight some of the incredible women in our stock: Maria Maddalena Baldacci   Nicolaus Gualterius Philosopus et Medicus Collegiatus Florentinus Regice Academice Botanica Florentince Socius in Pisana Universitate. Medicince Professor Ordinarius IOANNIS GASTONIS M.D.Etrurice Archiater Maria Mad.Gozzj del. P.Ant.Pazzi fc. Engraving. 364 x 229mm. Gualteri, Nicolas: [1688-1744] Phycisian and Botanist, Professor of Medicine at Pisa. W: 1232-1 [Ref: 2789 ] £95.00   (£114.00 incl.VAT) Maria Maddalena Baldacci (1718–1782) (née Gozzi) was an Italian painter. She was born in Florence. She painted portrait miniatures and crayon, including the portrait of Empress Maria Theresa. A pupil of Giovanna Fratellini and, after her death, of Giovanni Domenico Campiglia. In 1742 she married the ...
Read more

Catalogue 136: For the London and Paris Print Fairs!

Image
  [''Old Man Wearing Velvet Cap'' or ''Old Man with Spectacles''.] Thos Frye, Pictor, Invenit & Sculpsit [c.1760]. Sold at the Golden Head of Red Lamp, near the Corner of Greville Street in Hatton Garden. Mezzotint, 515 x 365mm (20¼ x 14¼), with small margins. A fine impression of this magnificent image. Light foxing at the bottom, not in image. Very faint crease near left margin in the centre. A man wearing a velvet cap facing the right, his left side profile on show. He holds in his right hand a pair of spectacles. From Thomas Frye's (1710-62) set of mezzotint 17 life-size heads which he published in two series between 1760 and 1762 and for which he is chiefly remembered. Russell believes this could be a self-portrait or another artist that dwelled with Frye, 'Query, a portrait of Thomas Frye. On an impression in Mr. J. Holland's handwriting: "Mr Mellish a painter of shi...
Read more